Thinking

Chapter 2: The Secret Hidden in My Mother's Sketch

I didn't sleep.

At three in the morning, I sat on the bathroom floor with my mother's sketchbook open across my knees, examining the faded pencil lines as if they might suddenly explain everything.

The drawing showed a black ballet costume with narrow wings and a row of silver stones along the neckline. Beneath it, Mom had written a sentence in her familiar slanted handwriting.

For my little swan, when she's ready to fly.

I ran my thumb over the words.

My mother had died when I was fourteen. A sudden infection after surgery had taken her from us in less than a week. I remembered the hospital's harsh fluorescent lights, the smell of antiseptic, and the way my father had gripped my shoulders while telling me that Mom wasn't coming home.

After the funeral, our house changed.

Dad worked longer hours. The rooms became quieter. Eventually, he married Diane, and Vanessa moved into the bedroom across from mine.

Mom's belongings disappeared gradually.

Her dresses went into donation bags. Her books were packed into cardboard boxes. Her jewelry was divided between relatives.

Only a few things remained in my possession: the sewing machine, the sketchbook, and a small silver pendant she had worn every day.

I had never thought of them as anything more than memories.

Now I turned to the final page of the sketchbook.

A small envelope had been tucked into the binding.

I had seen it before, but the flap was sealed, and I had always assumed it contained an old receipt or a pattern note. The paper had yellowed around the edges.

My fingers trembled as I opened it.

Inside was a photograph.

Mom stood in a ballet studio, smiling at the camera. She wore a black leotard and held a pair of pointe shoes by their ribbons. Beside her stood a tall woman with silver hair, one hand resting on Mom's shoulder.

I recognized the woman immediately.

Eleanor Hayes.

My dance teacher.

I stared at the photograph until the room seemed to tilt.

On the back, Mom had written:

Eleanor — thank you for believing in me when the world didn't. One day, I hope my daughter will find her way to you, too.

Below the message was a date.

Twenty-three years earlier.

I called Miss Hayes.

She answered on the fourth ring, her voice rough with sleep.

"Nia? Is everything all right?""

"I'm sorry. I know it's late.""

"What happened?""

I swallowed.

"I found a photograph of you and my mother.""

Silence.

Then I heard her sit up.

"Where did you find it?""

"In her old sketchbook. There's a note on the back.""

Another silence followed.

Longer this time.

"Nia," she said carefully, "did your mother leave you anything else?""

"Her sewing machine. The sketchbook. Some old drawings.""

"Do you have the original black swan design?""

I looked at the page.

"Yes.""

Miss Hayes exhaled.

"Bring everything tomorrow. And don't show the sketch to anyone else until we speak.""

"Why?""

"Because there are things about your mother that I should have told you years ago.""

My grip tightened around the phone.

"What things?""

She paused.

"Your mother was one of the most gifted dancers I ever taught.""

I knew that much. Mom had danced until a knee injury ended her professional ambitions. At least, that was the story Dad had told me.

Miss Hayes continued.

"She was also selected for a prestigious international training fellowship. It was supposed to be the beginning of her career.""

"What happened?""

"She withdrew.""

"Because of her knee?""

"No.""

The answer came so quickly that I sat up straighter.

"Then why?""

Miss Hayes sighed.

"That is a conversation we need to have in person.""

I glanced toward the bedroom door.

"Did my father know?""

"I can't answer that over the phone.""

"Miss Hayes, please.""

Her voice softened.

"Bring the photograph, the sketch, and whatever paperwork you have. I'll meet you at the theater before registration.""

The call ended.

I sat motionless on the bathroom floor.

Outside, the rain had stopped.

A pale strip of morning light appeared beneath the curtains.

I showered, dressed in my cleanest black trousers and a plain white blouse, then packed my costume into a garment bag. My pointe shoes went into a separate compartment. I wrapped Mom's photograph and sketchbook in a scarf and placed them in my dance bag.

Before leaving, I looked at myself in the mirror.

My cheek was still faintly swollen.

I touched it once, then lowered my hand.

I wasn't going to let anyone see me hide it.

At six thirty, I entered the kitchen.

Dad sat at the table drinking coffee. Diane was scrolling through her phone, and Vanessa was eating strawberries from a glass bowl.

She looked up when I entered.

Then she laughed.

"Oh, wow. You really are wearing it.""

Her gaze moved to the garment bag.

"Can I see?""

"No.""

Vanessa put down her fork.

"Why not? Afraid I'll ruin it again?""

Diane's head lifted.

"Vanessa.""

"What? I'm joking.""

I opened the refrigerator and took out a bottle of water.

Dad glanced at the clock.

"You're leaving now?""

"Registration starts at eight.""

"Then you have time to apologize.""

I closed the refrigerator.

"Not today.""

His coffee cup struck the table.

"Nia, don't start.""

"I'm not starting anything. I'm going to my competition.""

Vanessa leaned back in her chair.

"You'll embarrass yourself.""

"Maybe.""

I zipped my bag.

"But at least I'll be the one standing on the stage.""

Her face hardened.

For a second, she looked ready to throw something.

Instead, she picked up her phone and began typing.

Diane noticed.

"Who are you messaging?""

"No one.""

Vanessa angled the screen away.

I recognized the contact name before she hid it.

*Madison — Dance Academy.*

Madison Cole was another competitor.

She trained at the same studio as Vanessa and had spent the last six months posting videos of her private lessons, new costumes, and expensive summer workshops.

I had heard Vanessa talk about her for weeks.

I didn't ask what she was doing.

I left.

The theater stood downtown, its glass entrance reflecting the early morning sky. Cars pulled up along the curb, releasing dancers in warm-up clothes and parents carrying garment bags. Inside, the lobby smelled of coffee, hairspray, and polished wood.

A large banner hung above the registration desk.

*THE ELLINGTON YOUNG ARTISTS COMPETITION*

Beneath it, smaller lettering announced the prize: a fully funded place in a professional summer intensive, with invitations to audition for partner companies.

It was the opportunity I had been chasing for years.

I had earned my application fee by delivering bread before school. I had practiced turns in the narrow space between my bed and the wardrobe. I had repeated difficult combinations in the bakery's storeroom after closing, using a flour bucket as a barre.

I had no private tutor.

No expensive studio.

No parent paying for extra coaching.

I had Miss Hayes, my shoes, and the stubborn belief that hard work might eventually open a door.

At the registration table, a young woman wearing a blue blazer scanned my name.

"Nia Bennett?""

"Yes.""

She checked her screen.

"You're listed for the classical solo. Swan Lake, Act II variation.""

"That's right.""

Her gaze dropped to my garment bag.

"Is that your costume?""

"Yes.""

She hesitated.

"We received a report last night that you might be withdrawing because of a costume issue.""

My stomach tightened.

"What report?""

"I don't have the name of the person who called. They said you wouldn't be able to perform safely.""

I stared at her.

"That's not true.""

"I understand. I just need to confirm you're still competing.""

"I am.""

She handed me my number.

"All right. Dressing room three. Your warm-up slot is at eight fifteen.""

I took the number and walked away.

My hands were shaking.

Someone had tried to stop me before I even reached the theater.

I had a pretty good idea who.

I was halfway down the corridor when a voice called my name.

"Nia!""

Miss Hayes hurried toward me, carrying a leather folder. Her silver hair was tied into a neat bun, and she wore the same dark blue jacket she always wore to performances.

She stopped when she saw my face.

"Who did that?""

I looked away.

"I fell.""

Miss Hayes didn't move.

"Nia.""

The gentleness in her voice nearly undid me.

I swallowed.

"My stepsister poured ink on my costume. I tried to stop her from throwing it away. She fell, and my father believed I pushed her.""

Miss Hayes's expression went still.

"And your cheek?""

"My father slapped me.""

For several seconds, she said nothing.

Then she placed her folder on a nearby bench.

"That is not acceptable.""

I laughed bitterly.

"Apparently, it was acceptable enough for everyone at home.""

"No," she said firmly.

"It wasn't.""

She took my hands.

"Listen to me. You are here because you earned your place. No one gets to take that away from you by telling a convenient story.""

My eyes burned.

"I don't know if the costume will hold.""

"Then we'll inspect it.""

"And what if the judges hate it?""

Miss Hayes smiled faintly.

"Then they'll have to explain why they dislike a costume that you repaired with your own hands. But first, you will dance.""

She opened the leather folder.

Inside was a photocopy of the photograph I had found in Mom's sketchbook.

My breath caught.

"Why do you have that?""

"Because your mother gave me the original years ago.""

She turned the page.

A letter appeared beneath it, dated twenty-three years earlier and bearing the letterhead of the Ellington Foundation.

I recognized the name from the banner in the lobby.

Miss Hayes looked directly at me.

"Your mother wasn't simply a promising student, Nia. She was the winner of this very competition.""

I stared at her.

"What?""

"She received the fellowship. She was offered a place with an international training company. Then, a few weeks before she was due to leave, she withdrew.""

"Why?""

Miss Hayes's eyes softened.

"Because she discovered she was pregnant with you.""

I felt the floor shift beneath my feet.

My mother had given up a career for me.

But that wasn't the part that frightened me.

It was the way Miss Hayes kept looking at the letter as though it contained something she had never forgiven herself for allowing to happen.

"What aren't you telling me?"" I whispered.

She folded the letter.

"Your mother didn't withdraw because she stopped wanting to dance.""

Miss Hayes glanced toward the registration hall.

"Someone made sure she believed she had no other choice.""

Before I could ask another question, a sharp voice cut through the corridor.

"Miss Hayes? What are you doing with her?""

May you like

Vanessa stood at the far end of the hall.

And beside her was Madison Cole.

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